Some time later, the river from Sevilla to the ocean became un-navigable. Spain subsequently moved all of this trading active to Cadiz, on the Atlantic coast. The trade building in Sevilla became a tenement building. It stayed that way until after the Napoleonic era. At that point, Spain converted the old trade building, now a tenement, to an archive. All documents pertaining to the new world were consolidated into this one building in Sevilla called:
The Archive of the Indies. Inside is row-upon-row of original documents:
On shelves like these:
They even have fire extinguishers everywhere. Presumably to avoid the kind of tragedy that occurred most recently in the National Museum of Brasil:
Of course, you can't just open a box and look at the documents, though visiting scholars are allowed to do so in special rooms on the premises. However, there are a number of sample documents on display. Here are a few I like. All were behind plexiglass so there is an unfortunate glare. This is a map of the Mississippi River region from the 1500's. If you look closely at the bottom you see a bit of the arc of the Gulf of Mexico:
This is a map of the Dominican Republic (for Rachel), also circa 16th century:
This is a crib sheet of Spanish to "native" language translation. If you really zoom in you can recognize some of the Spanish words in the left-hand columns. Presumably the native words in the right hand column are phonetic spellings:
There were other artifacts too. The inside of the lid of this "treasure chest" had a fantastically intricate and complicated latching mechanism. Turning a crank in the middle caused this complicated collection of levers to retract all of the latches around the edge of the lid simultaneously:
Finally, like many other museums in Sevilla, there were a Murillo exhibit going on. This is the 400th anniversary year of the famous Spanish painter's birth in 1618. This sketch of Murillo depicting the baby Jesus lying asleep on a cross with his arm draped over a human skull is really bleak. The angels watching over him from above are sad, presumably knowing his destiny:
I've really gotten to like Murillo as I've looked at his work around Sevilla. He was a very thoughtful painter with a fantastic ability to convey complicated theological ideas through his imagery.
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